pop filter

Best Pop Filters for Streaming/Recording

best pop filters for streaming

Pop filters are simple devices and yet they do so much to improve the quality of sound generated by your microphone.

They are designed to remove plosives.

That probably sounds like an alien word for those of you that know nothing about vocal recordings.

Plosives are excess air and vibrations.

They manifest when you pronounce letters like ‘P’ and ‘B’.

Some people call them pops and thumps.

Plosives are a nuisance that causes distortions and disruptions.

They will ruin your streams and recordings which is why people add pop filters to their microphones.

These devices will also protect the microphone from the spit that it inevitably encounters whenever someone sings into it.

Because of the importance of pop filters, there is a strong demand for them in the recording arena.

Because of this demand, the number of pop filter manufacturers has skyrocketed.

As a result, it has become more difficult than ever to find a suitable pop filter for your needs.

If you are struggling to differentiate between the good and bad pop filters in your local store and you have no way of identifying the best pop filters for streaming, consider these options:

1). Nady MPF-6

This pop filter stands out because it is so cheap.

This creates some concern among customers because cheap pop filters are normally made from weak components that break a little too easily.

But the MPF-6 stands out because its low price tag does not reflect its quality, hence its popularity.

The product has a traditional nylon mesh and adjustable clamps that fit the majority of microphone sizes.

You cannot appreciate the relevance of that attribute until you realize that most clamps only fit a small portion of diameters.

Pop Filters

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The MPF-6 is the perfect product for anyone that wants to buy a decent pop filter without spending too much money.

2). Stedman PS101

The PS101 is more expensive than the MPF-6.

However, it still falls within an affordable range.

If you have the money, don’t hesitate to buy it.

The product has a smaller and narrower build than many of its rivals in this field.

However, it is still compatible with larger condenser mics.

This is partly imputed to the adjustable c-clamp and the gooseneck (13 inches) which allow you to clip the filter onto microphone stands and booms of all sizes.

Pop Filters

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Boasting a metallic wired mesh, the filter will reduce more plosives than most other filters on the market without impacting the high frequencies.

3). On-Stage ASFSS6GB

People have been known to compare this filter with the MPF-6.

However, this one stands out because it has two screens where the MPF-6 has one.

Like the MPF-6, this one uses one screen to block air blasts.

Then it goes the extra mile by using the gap between the screens to dispel any remaining air pressure.

Whatever is left of the plosives is unlikely to escape the second screen.

The product isn’t perfect.

The two screens are supposed to provide twice as much protection.

However, some people have suggested that this configuration is bound to block out high-frequency detail.

Pop Filters

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Though, this is just a theory at the moment.

None of the people that have used the filter have encountered this problem.

4). Avantone PS-1 Pro-Shield

Most of the filters you encounter on the market have a traditional circular shape.

They also tend to sit in front of the microphone.

This pop filter diverges from this design by using a semi-cylindrical arch shape.

It hugs the microphone, providing 180-degree angle protection.

Unlike the wide holes in the metallic meshes that normal filter use to permit high frequencies to pass, the gaps found on this filter are narrower.

Compare Prices: Amazon, Avantone, Guitar Center, Musicians Friend

Physically, the product is sufficiently durable.

You rarely hear people complaining about its metal construction breaking or bedding.

Even though it is cheaper, the Avantone has a comparable performance to the Stedman.

The adjustable clamp included fits the majority of stands and booms.

Because it has an adjustable clamp, you don’t have to worry about the gooseneck which is shorter than that of the Stedman.

5). Pro screen XL (Stedman Corporation)

This is not a cheap pop filter.

But the money you spend is worth the features the product delivers.

Boasting a metal construction and made from a unique patented material, the Pro screen XL does not bock plosives like every other filter on the market.

Compare Prices: Amazon, Guitar Center, Musicians Friend, Sweetwater

Rather, it redirects them down, expelling them from the microphone.

This sounds like such a quirky approach but it works wonders which is why you are bound to find this filter in so many home studios.

6). Blue Universal Filter

Many of the filters on the market prioritize functionality over appearance. This pop filter exceeds expectations in both arenas.

It has one of the most sophisticated designs you will ever see.

But there is more to the item than its classy metallic wire mesh and body.

Compare Prices: Amazon, Guitar Center, Musicians Friend, Sweetwater

The pop filter is incredibly durable.

It is also capable of removing the pops and thumps of your Bs and Ps with unrivaled accuracy and efficacy.

If it has one weakness, it is the weight.

The filter is simply too heavy, so much so that it will pull lighter microphones and weaker stands down.

You can only use it with equally heavy microphones.

If your microphone isn’t appropriately bulky, this filter isn’t for you.

7). WindTech PopGuard

This is a unique pop filter.

Other pop filters rely on an external grill to keep them in place.

But this one mounts the grill, wrapping around the microphone.

You won’t find that many pop filters on the market using this configuration.

Compare Prices: Windtech

While the design seems attractive, you should know that you don’t have the option of adjusting the distance between the screen and the microphone.

The filter is also not compatible with dynamic mics.

Neither will it fit the majority of condenser mics with large diaphragms.

8). WETECH

This filter is mounted directly onto the microphone.

It doesn’t have a traditional gooseneck attachment.

The microphone is supposed to sit between the internal frame of the filter.

If you configure it properly, the filter will use its dual-layered design to remove all plosives.

However, the high frequencies will be permitted to pass without impediment.

Thanks

for reading our review for the best pop filter for streaming and recording!

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