The quest for the Best Condenser Mic for Vocals
Do you want to put your hands on the best condenser mics for vocals?
If so, you are lucky.
Getting the best mic for vocals is easy when you know what you are doing.
We will let you know more about some of the best condenser mics for vocals out there too.
We know that some of these may be a little too high on the price, so here’s our pick for something less expensive.
Remember though, Less expensive doesn’t always mean lower quality.
Anyways, here’s our list for the Best Condenser Mic for Vocals
The Audio-Technica AT2035 large-diaphragm condenser microphone gives you great performance at an amazingly low price! The cardioid AT2035 features a switchable 80Hz highpass filter, a 10dB pad, and ships with a custom shock mount and protective pouch. A great choice for everything from project and pro studios to live applications.
The Neumann U 87 Ai is the modern incarnation of a classic microphone. Introduced in 1967, the U 87 gained instant favor with engineers, producers, and their clients; by the mid ’70s it was a staple in every world-class recording studio. And it still is. Walk into a session, and you’ll see 87s everywhere. On piano, vocals, toms, overheads, guitar cabs, brass, strings, congas — you name it. The mic’s popularity is easy to understand: it ushered in a new era of audio fidelity and reliability
The AKG C414 multi-pattern condenser microphone needs no introduction. Because of its ability to handle many different sources, it’s been used in some of the world’s leading broadcast facilities, recording studios, and performance stages. AKG has upped the game with the addition of their C414 XLII, improving the C414’s already legendary adaptability. With its nine polar patterns, leading-edge technology, state-of-the-art components, and reference-quality results, the AKG C414 XLII condenser microphone ushers in a new standard in microphone versatility.
We need microphones to handle even the most specialized applications. The Neumann KM 184 is the perfect example. Need a microphone to record percussion, cymbals or brass instruments? The KM 184 is capable of handling high sound pressure levels with ease – as high as 138dB before overloading. But it’s also extremely quiet, making it an excellent choice for capturing the subtle nuances of acoustic guitars and orchestral instruments. And you get that classic Neumann sound!
The Novation Launchkey 49 is your quick and easy solution for producing and performing electronic music using Ableton Live. But even if you use another DAW, you’ll appreciate the Launchkey’s ergonomic layout and just-right feel. Simply plug it into your computer’s USB port and the keys, faders, knobs, and velocity-sensitive RGB pads give you complete hands-on control of Ableton’s session view, instruments, effects, and mixer.
Neumann M149 Tube
This microphone is a must-have for your studio! The perfect combination of vintage sound and modern technology, the M 149 Tube is the first tube mic designed by Neumann in over 30 years. Based on the classic U 47, the M 149 gives you unmistakable tube warmth that audiences love. At the same time, you get the clarity and precision of a modern capsule. It has the lowest self-noise of any tube microphone on the market.
Blue Microphones Bottle
The Blue Baby Bottle SL large-diaphragm cardioid condenser microphone imbues richly present midrange, smooth top end, and neutral bottom into whatever you put it in front of. Capture warm vocals, lend presence to electric guitars, and add richness to acoustic guitars. Reproduce every punchy detail of a drum. The Baby Bottle SL also performs admirably on string, brass, and reed instruments. A highpass filter reduces mud and rumble, while a -20dB pad tackles loud sources with ease.
The RODE NT1-A cardioid condenser microphone is one of the world’s quietest microphones, and it comes complete with a ton of essential accessories! Its ultra-low self-noise means you’ll effortlessly capture clean, clear audio. The NT1-A can handle 137dB SPL so you can be confident that even in front of loud guitar cabinets, your recording won’t distort due to overload. This great mic comes with a shockmount, a pop screen, a dust cover, an XLR cable, and more.
Avantone Audio CV-12
Avantone’s CV-12 brings classic tube mic sound to professional and project studios everywhere – and at a price that truly means anyone can own one of these ruby-colored beauties. The CV-12 is equipped with nine polar patterns to handle a variety of sound sources including the human voice, strings, acoustic guitars, drum overheads, and much more, and it does it all with the style and sound often found in much pricier tube mics from generations back.
Audio Technica AT2035
- Large diaphragm for smooth, natural sound and low noise
- High SPL handling and wide dynamic range
- Element: Fixed-charge back plate, permanently polarized condenser
- Polar pattern: Cardioid
- Frequency response: 20Hz-20kHz
- Low-frequency roll-off: 80Hz, 12dB/octave
- Impedance: 120 ohms
- Maximum input sound level: 148dB SPL, 1kHz at 1% T.H.D.; 158dB SPL, with 10dB pad (nominal)
- Switches: Flat, roll-off; 10dB pad
- Weight: 14.2 oz
- Output connector: Integral 3-pin XLRM-type
- Accessories: Shock mount for 5/8″-27 threaded stands; 5/8″-27 to 3/8″-16 threaded adapter; soft protective pouch
The famous Audio Technica AT2035 has the large diaphragm that you have been waiting for in these types of things.
Getting natural, smooth sound is easy with the Audio Technica AT2035 by your side too.
It’s an industry standard as being one of the Best Condenser Mic for Vocals.
- Large-diaphragm FET condenser microphone
- Pressure-gradient transducer with double-membrane capsule
- The studio microphone classic
- Three directional characteristics: omni, cardioid, figure-8
- Switchable low-frequency roll-off
- Switchable 10dB pre-attenuation
- Ideal as main and support microphone in practically all recording situations
- Requires +48-volt phantom power
The Neumann U87 is a large-diaphragm condenser that has become the industry standard.
This is the classic, high-performance microphone that you have been seeking too.
If you have a world-class recording studio, the famous Neumann U87 is for you.
- Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns
- Lock Mode disables all controls easily for live and installation use
- Incredible Dynamic Range of 152dB
- Three different bass cut filters and three pre-attenuation levels
- Includes carrying case, two windscreens, a stereo bar, and two spider-type shock mounts
- Frequency range: 20 to 20,000 Hz
- Sensitivity: 20 mV/Pa (-34 dBV) +/-0.5 dB
- Max. SPL: 200/400/800/1600 Pa = 140/146/152/158 dB (0/-6/-12/-18 dB) for 0.5% THD
- Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC 60268-4)
- Net weight: 300g (10.6oz.)
- Requires +48V phantom power to DIN/IEC
The AKG C414 is the de facto part of any mic locker of any engineer out there.
The amazing AKG C414 has also the impressive versatility.
The legendary quality that you want to see in this type of mics out there.
- Small-diaphragm condenser mic
- Capsule with cardiod pick-up pattern
- Exceptionally low inherent self-noise (16dB A-weighted)
- Great high overload capacity (up to 138dB SPL before overload)
- Exceptionally clear sound reproduction free of coloration
- Very smooth frequency curves parallel to 0 degrees sound incidence
- 20Hz to 20kHz frequency range
- Equivalent loudness level due to inherent noise: 16dB (DIN/IEC 651 dB-A), 25dB (CCIR 468-3 weighted)
- S/N ratio re:1Pa @ 1kHz, (CCIR 468-3 weighted) 69dB (S/N = 94dB – equiv. noise) A-weighted: 78dB
- Max SPL for less than 0.5% THD: 138dB
- Total dynamic range of the microphone amplifier (Max SPL-self noise): 122dB
- Requires +44V to +52V phantom power
The Neumann KM184 will allow you to capture any nuance that can make a great performance right away.
Yes, the famous Neumann KM184 can help you get that and that is just part of the package too.
It can handle the most specialized production tools out there at all times.
- Telefunken’s classic large-diaphragm tube studio condenser microphone updated for modern recording
- Classic smooth midrange, robust bass, and airy treble make this a real go-to microphone for any source
- Based on the microphones used on countless vocal and classical recordings from the 1950s and on
- Dual-sided M7 capsule provides you with both cardioid and omnidirectional polar patterns
- VF14K metal tube and BV8 output transformer provide smooth sound and tons of headroom
- Locking Case, NG Style power supply, shockmount, and wooden box included
The Telefunken U47 is the amazing mic that you deserve if you are truly an outstanding singer.
The company behind the famous Telefunken U47 has been around for 60 years giving out all the good things that they know how to produce.
Neumann M149 Tube
- 9 different patterns, including Omni, cardioid, wide-angle cardioid, hyper-cardioid, and figure-8
- Pressure gradient transducer (K 49 capsule)
- 20Hz-20kHz frequency response
The Neumann M149 Tube is a mix of today’s modern tech with yesterday’s tube sound.
Yes, the amazing Tube has this combination and you will get the most out of it in no time flat too.
If you have a studio, the gorgeous Neumann M149 Tube is a must-have for it.
Blue Microphones Bottle
- Ultimate in hand-built craftsmanship
- High-end tube and Class A discrete circuitry
- Mic system – allows for various capsules to be swapped “on the fly” for extreme versatility
- Integrated capsule shock mounting
- Hand-tuned and tested
- Custom wound mic transformer
- Includes B6 capsule, Blue’s renowned 9610 tube power supply, Champagne tube mic cable, and ATA style storage case
The Blue Microphones Bottle has a lot of interchangeable capsules that you will love.
The mic can be considered as the top item in the world of mic innovation these days too.
Good candidate for being the best condenser mic for vocals.
- Acoustic Principle: Externally polarized 1″ condenser with gold-plated membrane
- Active Electronics: JFET impedance converter with bipolar output buffer
- Pickup Pattern: Cardioid
- Frequency Response: 20Hz-20kHz
- Dynamic Range: > 132dB
- Maximum SPL: 137dB
- Cardioid Polar Pattern
- Ultra-low noise transformerless circuitry
- State-of-the-art surface-mount electronics
- Heavy-duty satin-nickel finish
- Internal shock mounting system
- Gold plated output connectors
- True Condenser (externally biased)
- Full (20Hz-20kHz) frequency response
- Includes shock mount, pop shield, XLR cable, mic dust cover, and instructional DVD
- Requires +48-volt phantom power
The Rode NT1-A has an amazing shock mount that will allow you to get the most out of this item right away.
There is also an integrated pop shield that you will love right off the bat.
Avantone Audio CV-12
- Type: Tube-type Condenser
- Polar Pattern: 9 patterns selectable at the power supply
- Frequency Response: 25-20,000 Hz +/- 3dB
- Output Impedance: <=250 Ohms / transformer isolated
- Maximum SPL : 136dB (0.5% THD @1000Hz) 146dB with pad engaged
- Equivalent noise level : <17dB
- S/N Ratio: 78dB
- Sensitivity: -35dB
- Output Connector: Male XLR 7 pin w/ special power supply and cables
- Included Accessories: Padded Wooden Box, Shockmount, Metal road case
- High-Pass: 80 Hz 6dB/octave Switch
- Attenuation Switch: 10dB Switch
- Finish: Polished Nickel trim/Metallic Cabernet Red Body
- Weight: 1.8 lbs
- Dimensions: 9.5″ x 1.8″
The Avantone Audio CV-12 will allow you to get the tube mic sound that you need.
Tube mic sound, meaning more precise.
And these will be the classic sounds that you need to listen to.
We have talked about the best condenser mics for vocals out there, and you have learned about a lot about them.
You will not have to shell out a lot of dough to put your hands on them these days too.
This is our take for the Best Condenser Mic for Vocals. Thanks for reading.
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